Thorough research forms the indispensable foundation of informed heritage preservation and restoration, providing the context necessary for sensitive intervention. The list below is not exhaustive, these are only a few of the tools frequently used on research projects that help provide valuable insights into our shared cultural heritage.
This research service offers a broader perspective on an interior by examining its relationship to other interiors within the UK, Europe, or globally. It seeks to ascertain whether comparable interiors still exist or if the observed interior has become unique. Such comparisons can also serve as examples to guide the reconstruction of specific details within a client's interior. Art historical research is combined with various forms of material-technical analysis and associated knowledge to provide insights into the technical aspects of the historical narrative. This service is invaluable for those seeking a comprehensive understanding of their interior within its wider cultural and artistic context.
Architectural history involves a meticulous examination of the physical details of a building, such as floor beams, or the various types of bricks and masonry bonds found in exterior walls. These subtle physical clues can reveal a wealth of information about a property's past, offering indications about the layout of specific rooms and providing insight into its renovation history. This research stands as a powerful method for bringing layers from the past to the surface, requiring a keen eye for detail to trace historical indications.
Archives hold a treasure trove of buried information, including cadastral data, old maps, and purchase contracts, all awaiting discovery. This research aims to answer specific questions, such as identifying the occupants who installed a particular fireplace or determining if a beamed ceiling was originally present in a house. Investigating the history of a property's inhabitants is particularly valuable as it genuinely brings the building's story to life. Furthermore, this research is often of great importance for making well-considered restoration choices, by revealing how an interior actually appeared during the specific period to which a restoration might seek to return. This research effectively "glues" material-technical research together, providing the crucial human and temporal context for physical findings. Material analysis reveals
what was present, but archival research explains why it was there, who installed it, and when, creating a coherent and verifiable narrative for accurate historical interpretation and ethical restoration. This integrated approach minimises the risk of speculative or anachronistic interventions, leading to more authentic and historically defensible outcomes.
Through the execution of a colour analysis, it is possible to quickly uncover whether an interior conceals traces of historical colour finishes. This process can yield surprising and sometimes unique results, serving as a vital basis for historical reconstruction. Initially, a "quickscan" is often performed to swiftly determine if significant information is present within the paint layers, enabling the preparation of a specific quotation. Depending on the particular questions about an interior, the quickscan can be expanded with multiple paint stratigraphies for deeper insight into the chronological layers of colour.
Some interiors necessitate a more in-depth analysis. The study of paint samples can answer numerous questions regarding finishes, providing information about the layer build-up, as well as the specific pigments and binders used. This contributes significantly to the historical knowledge of an interior, as the presence of certain pigments can even help in dating. For those seeking to know the precise composition of colour layers or wishing to reconstruct a paint layer using historical techniques, a sample analysis is indispensable. In Situ Heritage can carry out this research for you.
The majority of digital reconstructions undertaken by In Situ Heritage have served to visually clarify complex research findings. This often involves combining art-historical research with material-technical investigations. This method has proven instrumental in providing substantive information for exhibitions, publications, and other media without the need for an invasive and costly physical reconstruction. It transforms abstract data into compelling visual narratives, making historical understanding accessible to a wider audience.
The application of old techniques serves a dual purpose. Firstly, it is employed as a research method: by investigating how something was made, considerable knowledge is gained about the restoration object itself. Secondly, the use of old techniques is also integral to creating a tangible, realistic final product. This is particularly relevant for the reconstruction of historical painting techniques, such as marbling and wood imitations, as well as ceiling paintings and overdoor pieces. Furthermore, it is possible to reconstruct interior coverings that have unfortunately perished. Reconstructions such as these can serve as educational tools, for handling sessions and further comparative analysis.